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April 16, 2007

Cross-Cultural Rainbows Jorge's Thesis Draft

Here is my thesis draft proposal in inverted order ( My word does this kind of crazy behavior when transfering from Word to PDF) :-)Download Cross-Cultural Rainbows
CulturalRainbowsNoArtCategories.jpg

March 19, 2007

548 Thesis Proposal Scheduled

Cross-Cultural Rainbows Schedule.

Week 10 March 22
Develop & Rewrite Abstract & Description
Update comments from Tracy Fullerton & Mimi Ito.
Collect & Read Bibliography.
Week 11 March 29
Develop Timeline ( Production Plan) & Start Budget.
Updated comments from Andreas Kratky & Isidro Moreno.
Collect & Read Bibliography.
Week 12 April 12
Advisors & Possible Venues
Update comments from Sociologists.
Collect & Read Andrew Sacher & Bibliography.
Week 13 April 14
Resources & Prior Art / Bibliography
Organize and publish Bibliography.
Prepare Final Presentation.
Week 14 April 19.
Final Presentation 2d Group
May 3rd
Submit Final Plans.

February 14, 2007

Madlib: "Focusing the Multicultural Collaborative Interactive Editing Online Documentary".

1) Refine MadLibs
Study of Constructive Interactions Behaviours through independent artist activities and motivations and through videoblogging.

2) Name THREE potential outside advisors.

Mimi Ito
http://www.itofisher.com/mito/
http://digitalyouth.ischool.berkeley.edu/
http://www.itofisher.com/mito/publications/personal_portab_2.html

Isidro Moreno

http://www.ucm.es/info/cavp2/C_I_Moreno.html
http://reddigital.cnice.mec.es/1/red_digital_english/firmas/firmas_moreno_eng.htm
http://www.ucm.es/info/eculture/documentos/proyectosING.htm
http://www.ucm.es/info/eculture/documentos/lineasING.htm

Andrew Sacher
http://interactive.usc.edu/members/asacher/
http://sachercreative.com/


3) Define your audience(s). 

Independent Professionals Artists & Art Videobloggers: to show their work as well as learn new techniques.

On-line Art Enthusiasts: as on-line art researches or virtual videoblog gallery visitors.

Young People interested in Art: new talents looking for experiences and inspirations

Art Students & Professors: as a teaching tool of new art distribution.

Anthropologists & Communication Researchers: interested in art tech similarities and differences between cultures and/or videoblogging motivations.

January 18, 2007

Jorge Mora's 3 Meaningful Objects.

1) Something significant to you.
My Postcard“No name” of Teun Hocks artwork from the Exhibition “Juegos y Simulacros/Jeux Et Simulacres”
JeuxEtSimulacresTeunHocks.jpg
It reminds me to meditate.

2) An inspiration.
The Script: Smoke & Blue in the Face Script from Paul Auster.
Smoke.jpg


3) Something you've done that is deeply interests you.
My multiplatform interactive cinema creation “Inside Track/Vía Íntima” with a Interactive DVD and Internet version www.medialabmadrid.org/viaintima and a cinematic linear version.
InsideTrack.jpg


A) Why this item is interesting/meaningful/important to you (or universally)?
A.1) Because it shows the real small size of human being and that there is always bigger than one/ourself, something or Someone to learn from.
A.2) Because it shows the magic and emotional touching moments of human daily lives in a cross-cultural and multiethnic context.
A.3) The different ways to tell, read and experience a story or game context.

B) What are the issues, concerns, principles, processes or attributes that surround each item?
B.1) Humility, Discovery, Wisdom, Amazement, Learning, Spirituality.
B.2) Tolerance, Multiculturalism, Friendship, Spontaneity, Originality, Authenticity, Courage.
B.3) Personal History, Surrender, Hope, Miracles, Honesty, Willingness, Strength.

C) How is each item relevant: socially, technically, politically, phenomenologically?
C.1) To relative human science as a final explanation for reality, as well as humble rationalist people through inviting them to think about new solutions, and other type of higher life, laws and/or powers.
C.2) To show how the time people spent in knowing each other becomes the real miracle of experiencing the real life.
C.3) To demonstrate how technology should and can serve to classic and interactive storytelling and storyexperiencing and what are the narrative potential and levels of interaction that each platform allows.

D) What do you not know about the item, and would like to investigate?
D.1) Other artworks of that collection, how they relate to each other as well as more paintings from the same author. I would like to investigate the relationships between the organization, access and synthesis of knowledge and wisdom within small versus big spaces, the tension between the expansion and contraction of human knowledge and creative process.

E) Look at your three items as a whole and see if you can discover similarities (literal or abstract), are there intersections?
All of them suggest me interesting questions that excite my imagination: for example Where does that big foot print come from? What make equally human to different people? How new technologies and interactivity can serve to build humanitarian and multicultural dialogs?
F) Does your analysis suggest an area of interest, or (series of) questions?
Yes. Crossculturalism, Multiethics, Interactive Collaborative Projects, Spiritual Principles learning process, Sharing & Cultural Exchanging Experiences in general.