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October 31, 2006

Student Volunteers needed for REMIX this weekend

We need to line up a few student volunteers for the REMIX Conference this weekend, Saturday and Sunday from 11am to 11pm each day.

If you can only do part of it, that's OK - let us know; but in any case, if you volunteer, please make sure you're committed to be there for the hours that you say you'll be.

What you get:

* the chance to see lots of great stuff
* an opportunity to hang out with some of the coolest people on the planet
* brownie points with your friendly IMD/IML faculty and staff
* the general glow of well-being that comes from being part of something wonderful

Let us know (sooner rather than later, please)

Perry Hoberman & Steve Anderson

October 29, 2006

MARK YOUR CALENDARS! Sat/Sun Nov 4/5: REMIX

TransFormations I: Remixing the Archive

[link]

Workshops, keynotes, performances, panels and more - an incredible lineup [Sat] [Sun] that is guaranteed to leave your brain BUZZING with excitement.

Don't miss it.

sponsored by
Visions and Voices USC Arts & Humanities Initiative

October 23, 2006

Trusted Makes screen grab set


From my current show at Fringe Exhibitions.

Link to Flickr Set

Max/MSP Workshop #2 ZML 3-5pm Tuesday

Max/MSP workshop #2, tomorrow (Tuesday October 24) 3-5pm in ZML.

Don't worry if you missed the first one, we'll bring you up to speed fast.

Click here for the "Introduction to Max/MSP/Jitter" document. Try to read it over (and build the patch if you have time) before the workshop.

October 17, 2006

Fifth IEEE & ACM International Symposium on Mixed & Augmented Reality


http://www.ismar06.org/program.html

October 16, 2006

Max/MSP/Jitter Workshop #1

... tomorrow (Tuesday October 16th) from 3 to 5 in ZML. The workshop will run for five consecutive Tuesdays (including Halloween and Election Day!) My apologies for not posting this sooner.

Designed to quickly get you up to speed creating your own projects with Max, there will be a special emphasis on Jitter and its capabilities for interactive visual media and OpenGL graphics.

This will be a hands-on workshop, and ideally each participant will be working at their own computer during each session. We will have the Max/MSP/Jitter installed on as many ZML Macs & PCs as possible, but I would encourage participants to take advantage of Cycling '74's special student pricing of $59 for a 9-month license, so that you'll be able to run the software on your own laptop both in and out of class.

What is Max?

Max/MSP is an object-oriented graphical programming environment designed for music, signal processing, and multimedia. Originally developed at the IRCAM musical research institute in Paris in the 1980s, it is now published by the San Francisco-based company Cycling '74. Max has been in use worldwide for over fifteen years by performers, composers, artists, teachers, and students.

In Max, custom software applications are created using a visual toolkit of 'objects' (icons representing self-contained functional components) that are wired together using graphical 'patch cords'. A Max application (or 'patch') is thus both a visual flow chart as well as a functioning software program. Max includes objects for MIDI control, data processing, user interface design, program flow, and timing. Originally designed for MIDI control, Max has been extended with MSP, a set of audio and signal processing objects , and Jitter, a set of matrix data processing objects optimized for video and 3D graphics.

Why use it?

Max has the advantage of being extremely flexible and powerful while remaining unusually inviting and accessible for non-programmers. It is also remarkably modular and extensible. Any user-designed Max patch can be integrated as into the Max environment as if it were a built-in function of the core program, and new objects ('externals') can be programmed in C or Java to further extend the program.

Until recently, Max was available for the Mac OS exclusively, but about a year ago it became cross-platform with the release of a Windows version. The latest version also incorporates an implementation of Javascript, which allows any part of a Max application to be created using more traditional text-based programming methods.

Max is especially conducive to iterative experimentation, allowing rough ideas to be quickly sketched out and successively refined. Traditionally, Max's strengths have been in the areas of art installation and live performance, but this is more a function of its history and culture than any inherent limitations of the program. If you can imagine it, you can almost certainly build it in Max.

October 12, 2006

George Lucas vs Stephen Colbert

From last night's Colbert Report, after "George L" narrowly lost the Green Screen Challenge: Link

October 11, 2006

Perry Hoberman - Trusted Makes


Fringe Exhibitions: 504 Chung King Court
Exhibition Dates: October 14 - November 11, 2006
Opening Reception: Saturday October 14, from 6 - 8 PM

Fringe Exhibitions presents Trusted Makes by Perry Hoberman.

Trusted Makes are large cans (or small drums) of essential (if imaginary) consumer goods. Utilizing a tangible interface, they exist in a state of continual flux. By projecting instead of printing the package design onto the product, the graphic elements of Trusted Makes are able to morph from one state to another, allowing them to continually update and improve their packaging, making and retracting claims and promises. In an age where we'll buy anything with the right packaging, no matter how rancid, dangerous and distasteful, Trusted Makes fabricate the best case possible for whatever's currently in stock.

Fringe Exhibitions is a new exhibition space dedicated to showing cutting edge and experimental art projects that focus on installation, video, new media art, and art that engages with technology.

Gallery Hours: Thursday - Saturday 12 - 6 or by appointment

Link