Yeah, I should pick that book up. We've had numerous conversations about the application of film theory to video games, and it's good to see that there are at least some books on the subject that treat games with the academic rigor I think they warrant, without falling back on the established marxist / freudian / postmodern texts that have been so ubiqutous in the world of critical theory. I hope that we can move past thinking we need to defend the usefulness of these alternative focuses books like trigger happy seem to employ.